Recently, I presented at the 15th annual Fathers and Family Coalition of America conference in Las Vegas, Nevada. My presentation focused on how fathering practitioners can use their life experience as a springboard to reach and teach fathers about the importance of their role as fathers. During my presentation one of the young fathers asked a very courageous question. Like many single fathers, he gets his son every other weekend and he questioned the significance of his time with his son. He stated that when he picks up his son on Fridays, before you know it the weekend is over and now he has to wait 12 days to see him again. He wanted to know what he could do to maintain his relevance.


Ever since Olivia Pope came on the scene a couple of years ago she has dominated the social media news feeds of Urban America.  She has elements of many women we all know and it's great having a familiar face on television to look to.  When Mary Jane Paul emerged on the scene a year or so ago, things got real.  Now that Being Mary Jane is a full season in, and with Scandal three seasons in, we figured it was time to look at the women that are these characters.  Given the chance who would you choose to date, to be a friend to?  Who could you actually stand to be around?


The latest Jason Derulo album, Talk Dirty, is chock full of party anthems and “get hype” tracks. The album starts off with Jason’s new smash hit, "Talk Dirty" (featuring 2 Chainz), which has spent the last sixteen weeks near the top of Billboard’s “The Hot 100” and currently sits at number four. Derulo has brought in many other popular Hip-Hop artists to collaborate on this record, including Snoop Dogg, TYGA, Kid Ink, and Pitbull. 


There was a huge debate recently about the Mt. Rushmore of the NBA.  Choosing the four greatest players to have ever played the sport of basketball proved to be quite the challenge and there is still no clear and decisive agreement on just four. The Mt. Rushmore of Hip-Hop may prove to be just as difficult, but we figured we'd give it a try and see what the readers think.


It’s a Marlon Wayne’s movie what do want me to say? It was bleeping hilarious. Literally as soon as the movie started the theatre was roaring in laughter and I’m not even exaggerating. The opening scene was arguably the most funny (actually during the Q&A after the screening an audience member said it was his favorite part). Co-star Affion Crokett is one of the first characters you’re reintroduced to and he had my stomach hurting early. I’m going to just say that I would’ve liked to see more of him in the film. Hey, Marlon told us to be honest in our critiques. With that said though, the film still surpassed the expectations of a sequel. 


Who would have ever thought a shy girl from Beaufort, South Carolina would be American Idol's Season 12 winner. She's grown a lot since only being able to sing for her parents. Life has changed for Candice Glover. Her Season 12 win is actually her third attempt at auditioning for American Idol. She's proven that she believes in herself. It was nothing short of courage to be able to face many at a third shot on the show to prove that she had what it took to take home the crown, even if she didn't know for sure herself at the time. She's motivated so many to go after what they want and to never give up. WIth the recent release of her debut album, Music Speaks, and her single, "Cried," Glover continues to motivate women everywhere.  Read the full interview to get Candice Glover a little better...


 
 

 

 

 

 

 

Meet the Grammy Award Winning Producer behind hits like “Whatever You Like,” “Lollipop,” and many more!

 

Jim Jonsin is a man with a family and a point of view. Over the course of our interview, he gave his opinion on almost everything, from drum machines and Led Zeppelin samples, to how he wished he could be Quincy Jones for a day. But the difference between him and every other vanity injected member of the hip hop community is, while he may have something to say about everything, that doesn’t mean he thinks it needs to be said.

Starting out as a DJ in the late 80’s Miami club scene, Jonsin was an up and coming producer looking for his big break. Making a name for himself at an early age, (he’s been DJing since he was 14) Jonsin’s path to musical success seemed quite clear cut. By 18, he helped start up an independent label with Mass Jam Productions, called Cut It Up Def Records, and not long after that, he produced one of the labels first singles, appropriately titled “Cut it up.” The record was a success, getting spins at every nightclub in Miami, and played out of Florida low riders with almost Chronic like frequency. After it sold 40,000 copies the parent record company saw it as only natural for him to continue. Shortly after, he released another single “Party Time” on which he produced, and rapped. As another regional success in the Florida area, it was enough to get him a deal from Heat Wave Records, a smaller independent label based in Santa Barbara, California. There he adopted the moniker “Jealous J” and captained the release of a compilation album of Miami bass songs, (again literally titled) Miami Bass Jams. This compilation record saw much of the success of the first two singles and ended up certified Gold. The success of the album put him in a position to go on tour with artists such as Cypress Hill, 2 Live Crew and Markie Mark and the Funky Bunch…success seemed eminent.

But the ecstasy of triumph had to come to an end at some point, and after finishing the tour, Jonsin’s relevance went rapidly downhill and he was forced to work in relative obscurity for several years, into the early nineties. Producing more Miami bass records, and creating a new, ill advised label through Warner Brothers, Jim Jonsin was becoming musically trapped. He was still doing the same kind of stuff he used to, and the lack of evolution allowed in his music, coupled with the economic difficulty of his label bringing in next to no money, forced him to make his musical career more of his musical hobby. He was forced to work odd jobs to pay the bills (during our interview he cited one particularly bad one at Sears Department Store) and with time short, money low, and connections becoming few and far between, his profitability in the music business was becoming perpetually more unlikely. But having talent, and a good work ethic usually comes through, and in 1998, Trick Daddy offered to sign him to his Atlantic run label, Slip-n-Slide Records. This turned out to be all the help Mr. Jonsin would need because, if you’ve noticed any continuous pattern throughout all the entropy and disorder of Jim Jonsin's very up, down, and back up career, it’s that he did everything essentially by himself, with nothing but clothes on his back and the turntable at his fingers.

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