If you know football, you know Deion Sanders. Primetime! Mr. “Must Be The Money.” Neon Deion. The Hall-of-Famer and two-time Super Bowl champion hasn’t really needed an introduction since his meteoric rise in the NFL spotlight, but these days it’s his moves off the field that require conversation. The second season of his reality show, Deion’s Family Playbook premieres on OWN Network on Saturday, November 1st at 9p.m. EST. For those that aren’t familiar, the show features Deion in a light that many might not be familiar with—Deion as a family man raising 10 children. That’s not all however, as Deion also helps run a charter school in Dallas Texas, Prime Prep Academy for grades K-12, and a nonprofit organization, Prime Time Association (aka TRUTH), which teaches young adults through sports and education.


Jagged Edge's eight album, JE Heartbreak II finds the quartet reunited with producer Jermaine Dupri, label So So Def and their original management Mauldin Brand Agency. The theme here is all about bringing back true R&B, so the guys shy away from Rap features or features of any kind, as well as Hip-Hop infused beats. Slow jams are plentiful in this 12 song album and with Bryan Michael Cox assisting the Casey twins on songwriting and production, its very much reminiscent to the sound of early Jagged Edge albums.


Syleena Johnson is one of the bonafide soul singers of our generation and a true R&B Diva that has maintained a penchant for great music since the late 90s. Her musical diary in the form of her Chapter releases have been stacked with hit songs since the original Chapter 1: Love, Pain & Forgiveness was released in 2001. Now with a new label, Blakbyrd Music, Syleena releases her sixth installment of the series, the true to life Chapter 6: Couple's Therapy. While she has grown in her years and through her experiences, the quality of music remains grand. An overall review just wouldn't do here, so we decided to deliver a track by track review of Syleena Johnson's Couple's Therapy.


Singer/Songwriter, Destiny ‘Adia’ Andrews was born in St Louis, Missouri but I’d say she hailed from Huntsville, Alabama. She calls herself a mutt when trying to describe exactly where she’s from, as she grew up all over. But “Huntsville is home” she insists. That’s where all her close relatives and her late grandmother – the most important piece to her puzzle—were from. Admittedly, She should probably come with a warning sign, one that reads “slow down, no assumptions just yet!” If you don’t know, Adia is a Gospel singer but not the average.


Following both the somewhat lackluster albums, No Mercy and Trouble Man, T.I. returns with Paperwork, a 15 track project that is essentially the second in a trilogy of albums from the Atlanta emcee - the first being Paper Trail, released in 2008. There are high moments and low points on Paperwork that ultimately allow for T.I. to showcase that he deserves to remain among some of the greats. Paperwork is intricate to the point where there is a sense that there were different personas at play in the studio. Pharrell executive produced the album, and that is a characteristic he has displayed in his previous trips in that role.


A ‘talented triple-threat that no one saw coming’ is the best way to describe new artist, Luke Christopher. With a collection of mixtapes floating around, Christopher has gained a fan base of followers calling themselves #TMRWGANG. He keeps them engaged by releasing a new song every Tuesday on his SoundCloud and #TMRWGANGTUESDAYS has already received over 2 million plays. His latest mixtape TMRW TMRW Pt. 2 can also be found on SoundCloud featuring contributions from Asher Roth, Baily, Shlohmo and Banks to name a few.

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Meet the Grammy Award Winning Producer behind hits like “Whatever You Like,” “Lollipop,” and many more!

 

Jim Jonsin is a man with a family and a point of view. Over the course of our interview, he gave his opinion on almost everything, from drum machines and Led Zeppelin samples, to how he wished he could be Quincy Jones for a day. But the difference between him and every other vanity injected member of the hip hop community is, while he may have something to say about everything, that doesn’t mean he thinks it needs to be said.

Starting out as a DJ in the late 80’s Miami club scene, Jonsin was an up and coming producer looking for his big break. Making a name for himself at an early age, (he’s been DJing since he was 14) Jonsin’s path to musical success seemed quite clear cut. By 18, he helped start up an independent label with Mass Jam Productions, called Cut It Up Def Records, and not long after that, he produced one of the labels first singles, appropriately titled “Cut it up.” The record was a success, getting spins at every nightclub in Miami, and played out of Florida low riders with almost Chronic like frequency. After it sold 40,000 copies the parent record company saw it as only natural for him to continue. Shortly after, he released another single “Party Time” on which he produced, and rapped. As another regional success in the Florida area, it was enough to get him a deal from Heat Wave Records, a smaller independent label based in Santa Barbara, California. There he adopted the moniker “Jealous J” and captained the release of a compilation album of Miami bass songs, (again literally titled) Miami Bass Jams. This compilation record saw much of the success of the first two singles and ended up certified Gold. The success of the album put him in a position to go on tour with artists such as Cypress Hill, 2 Live Crew and Markie Mark and the Funky Bunch…success seemed eminent.

But the ecstasy of triumph had to come to an end at some point, and after finishing the tour, Jonsin’s relevance went rapidly downhill and he was forced to work in relative obscurity for several years, into the early nineties. Producing more Miami bass records, and creating a new, ill advised label through Warner Brothers, Jim Jonsin was becoming musically trapped. He was still doing the same kind of stuff he used to, and the lack of evolution allowed in his music, coupled with the economic difficulty of his label bringing in next to no money, forced him to make his musical career more of his musical hobby. He was forced to work odd jobs to pay the bills (during our interview he cited one particularly bad one at Sears Department Store) and with time short, money low, and connections becoming few and far between, his profitability in the music business was becoming perpetually more unlikely. But having talent, and a good work ethic usually comes through, and in 1998, Trick Daddy offered to sign him to his Atlantic run label, Slip-n-Slide Records. This turned out to be all the help Mr. Jonsin would need because, if you’ve noticed any continuous pattern throughout all the entropy and disorder of Jim Jonsin's very up, down, and back up career, it’s that he did everything essentially by himself, with nothing but clothes on his back and the turntable at his fingers.

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