As soon as he became the first artist to be signed to J. Cole’s label Dreamville, Bas has had big shoes to fill. Born in Paris, France, Bas moved to Queens, New York, at the age of eight. Before Bas was particularly interested in music, older brother, now known as DJ Moma, did everything he could to introduce Bas to various musical styles, including the electronic influences of the European music scene, which, at the time, was quite different from the popular American music of the era.


Sagging pants and fouled mouth children…”N” this, “N” that…
Slow walks approaching the school building
Prep to take the belts off…
“Hurry…hurry” a friend yells out to hide their cell phones
Metal detectors…
“Empty your pockets”
beep…beep…
“Go!”
No ‘Good Mornings’
No smiles—


To be 100% honest with ya’ll, I almost fainted when I walked into the room where songtress, Leela James had been relaxing on the couch. I greeted everyone and introduced myself and like the cool and beautiful person Ms. James was she said, “Hey sweetie, you got to excuse me for laying down we been traveling all day, but you can lay down and relax with me.” Totally blown away by her “down-to-earth” approach, she was every thing I imagined her to be in person.


If you follow Kachelle Kelly on social media you’ll definitely discover her passion for what she does, she’s positive and she is about her BUSINESS. She can coach her clients from a dream to a reality of what they imagined their business to be with consistency and determination. She has even started a $39 a month program for ones who may be a bit financially tight but would love to ask her a question once a month. I follow her on Instagram and it seems as though she’s very well respected in the city of Houston. She has started a Boss Women Pray and Boss Men Pray movement. She not only have the books, but also shirts in which quite a few familiar faces happily wore for a recent photo shoot.

If you or someone you know is in need of guidance for business-you may want to think of Kachelle Kelly. Read the interview below to learn a little more.

Talent is all around us and with each passing year comes a new star in the making, one that is sure to set 2014 a blaze is R&B crooner Anthony Lewis. In February, the 17 year-old L.A. native released his single, “Candy Rain,” a remix of the 90’s classic from R&B group Soul 4 Real. He has since caught the eyes and ears of every major music and is making strides on Billboard's Hot 100 list. With the song in continuous rotation prompting live performances and more work on his forthcoming debut album to be done Anthony is busier than ever, fortunately he had a few moments to spare to talk about his growing career, his inspiration, and the future of his craft.  See what he had to say below.


New Yorkers know, just being here prepares you for everything the world has to offer. For entertainers that is true double time. Washington Heights bred, Dominican actress, Suveria Mota discovered acting was her passion in high school and she continued to pursue her dream through pursuing her degree at Lehman College in the Bronx. After she got her degree she made the move to Hollywood where things really began to take off. Now with a few roles under her belt and some soon to be released projects, Mota is a talent to look forward to. We got a chance to speak with the actress about what finding success is like for a Latina in Hollywood, the importance of education and what's next for her. Discover the next big name below.


 
 

 

 

Every week there is a new bunch of freestyles.  But seems there is no one reviewing them.  So introducing... 

Freestyle of the Week reviews

The best Riff Raff cuts juxtapose his absurd lyricism with a sense of sybaritic danger; think the slow-burn smolder of "Bird on a Wire." To that end, Kirko Bangz's "Shirts By Versace" seemed destined for Jody Highroller appropriation, with a dreggy sound that snakes and sparkles like a Caraquenian disco ball.

Read more: Freestyle of the Week Review: Riff Raff, "Shirts By Versace Freestyle"

Left recently on the killing floor of a mid-size Southern newspaper's editorial abattoir was a particular description of Chicago native Chance the Rapper's vocal stylings which I felt to be particularly apt: that he takes to the beats like a coursed hare.

Read more: Freestyle of the Week Review: Chance The Rapper, Sway in the Morning Freestyle

Despite abutting, as it does, a review/essay--predominantly essay--on Rick Ross' freestyle treatment of the very same song, one would not expect to find much in the Game's rendition, by way of comparative analysis. This is because, for most of his career, Game has occupied roughly the same end of the Voice-Skill spectrum as Rozay, hovering comfortably closer to the former rather than the latter.

Read more: Freestyle of the Week Review: The Game, "Bitch Don't Kill My Vibe Freestyle"

To fulfill the titular obligations of this column, let us address Rick Ross' freestyle upon Kendrick Lamar's "Bitch, Don't Kill My Vibe":

Read more: Freestyle of the Week Review: Rick Ross, "Don't Kill My Vibe"

The most striking imagery from Drake's "Started From The Bottom" visuals--edging out a bevy of comely, Isis eyelinered women and a preponderance of ridiculous dances, including a spiraling, hand spinning, maple-leaf-in-an-updraft maneuver and a high stepping, elbow locked march suspended above Toronto in front of a black and gold, owl emblazoned billboard--comes early; Drake and a topless Bentley, white as a blank page, white fur, white pants, white shoes, white shirt, gleaming silver jewelry, creeping along the road in a manmade cacophony of too perfect snow, moving fast while the skeletal branches in the background remain still.

Read more: Freestyle of the Week Review: Spenzo, "Started From The Bottom Freestyle"

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