Singer/Songwriter, Destiny ‘Adia’ Andrews was born in St Louis, Missouri but I’d say she hailed from Huntsville, Alabama. She calls herself a mutt when trying to describe exactly where she’s from, as she grew up all over. But “Huntsville is home” she insists. That’s where all her close relatives and her late grandmother – the most important piece to her puzzle—were from. Admittedly, She should probably come with a warning sign, one that reads “slow down, no assumptions just yet!” If you don’t know, Adia is a Gospel singer but not the average.


Following both the somewhat lackluster albums, No Mercy and Trouble Man, T.I. returns with Paperwork, a 15 track project that is essentially the second in a trilogy of albums from the Atlanta emcee - the first being Paper Trail, released in 2008. There are high moments and low points on Paperwork that ultimately allow for T.I. to showcase that he deserves to remain among some of the greats. Paperwork is intricate to the point where there is a sense that there were different personas at play in the studio. Pharrell executive produced the album, and that is a characteristic he has displayed in his previous trips in that role.


A ‘talented triple-threat that no one saw coming’ is the best way to describe new artist, Luke Christopher. With a collection of mixtapes floating around, Christopher has gained a fan base of followers calling themselves #TMRWGANG. He keeps them engaged by releasing a new song every Tuesday on his SoundCloud and #TMRWGANGTUESDAYS has already received over 2 million plays. His latest mixtape TMRW TMRW Pt. 2 can also be found on SoundCloud featuring contributions from Asher Roth, Baily, Shlohmo and Banks to name a few.


The Game has been a mainstay in the world of Hip-Hop since his emergence in 2005. His consistency is commendable. While there may be many varying opinions about the way he goes about handling his business, from his use of name drops to the high number of guests on his albums, it's still undeniable that more often than not Game goes off on a rap and delivers some of the best stuff out. On Blood Moon: Year of the Wolf, Game does something different from his norm, this time aiming to spotlight his own crew Blood Money Entertainment.


Point of No Return
is the sixth album from Keyshia Cole and amidst 11 tracks, she lets loose. It is steeped in expressive candor. The Keyshia featured here is frank, direct and pulling no punches.


Everything that entertains you isn't meant for pure entertainment. Kill The Messenger a new film by director, Michael Cuesta tells the story of journalist Gary Webb. He's a good natured man, a hard worker and a family man. Like any other man he's made some mistakes but his best days are ahead of him. Webb works for a small market daily publication in San Jose called the Mercury News, but he has aspirations of being more and doing more.

TorreiHartAd



 
 

 

 

 

Passion, Pain & Pleasure is Trey Songz’ fourth studio album. Leading with a ballad "Love Faces," Trey sets the tone for the entire project flowing back and forth between his vocals and an R. Kelly sound that despite it’s over usage, actually works. The following track, "Massage," is the album's quiet storm moment that is destined to become a favorite among fans of the singer and those embarking on a journey into the artists' music. "Massage," follows the mood of “Invented Sex” from his Grammy nominated Ready, but suits his vocals a little better with percussion and piano breezing by in the background.
The lead single "Bottoms Up," offers a club vibe and features Young Money rapper, Nicki Minaj. At first listen, it becomes one of the most memorable off of the seventeen cut collection as does "Can't Be Friends," where Trey sings his heart out about a love turned friendship that can be no more. "Please Return My Call," continues the same saga of yearned romance while "Red Lipstick," adds to the album title's momentum with its bedroom swag, as does "Doorbell."
"The Unusual," fits the inevitable radio friendly format with rapper Drake adding to the cut. Despite its radio attractiveness, the beat borders on bizarre and distracts from the lyricism of Trey's vocals and Drake's verse. Passion, Pain and Pleasure closes with three cuts that embody the theme of the album emphatically. "Unfortunate," wallows towards Prince territory with its drawn out hooks and echoing chorus; "Blind," carries with it a rock and roll sound that fits the tale Trey sings about and "You Just Need Me," resounds in a top 40 format and puts the final touch on the album.
Passion, Pain and Pleasure is no Ready and while it may be compared to its predecessor; Trey Songz manages to keep the listener's attention throughout. Trey Songz worked with several producers on this album such as Troy Taylor, Mario Winans and Bryan-Michael Cox. The album's sound is distinct and adds gravity to the singer's repertoire of work.
Passion, Pain and Pleasure receives a PARLÉ
Rating:
P…Horrible
PA…Tolerable
PAR…Good
PARL…Kinda Great
PARLÉ…Classic
Also Check Out:

Passion, Pain & Pleasure is Trey Songz’ fourth studio album. Leading with a ballad "Love Faces," Trey sets the tone for the entire project flowing back and forth between his vocals and an R. Kelly sound that despite it’s over usage, actually works. The following track, "Massage," is the album's quiet storm moment that is destined to become a favorite among fans of the singer and those embarking on a journey into the artists' music. "Massage," follows the mood of “Invented Sex” from his Grammy nominated Ready, but suits his vocals a little better with percussion and piano breezing by in the background.


The lead single "Bottoms Up," offers a club vibe and features Young Money rapper, Nicki Minaj. At first listen, it becomes one of the most memorable off of the seventeen cut collection as does "Can't Be Friends," where Trey sings his heart out about a love turned friendship that can be no more. "Please Return My Call," continues the same saga of yearned romance while "Red Lipstick," adds to the album title's momentum with its bedroom swag, as does "Doorbell."  


"The Unusual," fits the inevitable radio friendly format with rapper Drake adding to the cut. Despite its radio attractiveness, the beat borders on bizarre and distracts from the lyricism of Trey's vocals and Drake's verse. Passion, Pain & Pleasure closes with three cuts that embody the theme of the album emphatically. "Unfortunate," wallows towards Prince territory with its drawn out hooks and echoing chorus; "Blind," carries with it a rock and roll sound that fits the tale Trey sings about and "You Just Need Me," resounds in a top 40 format and puts the final touch on the album.


Passion, Pain & Pleasure is no Ready and while it may be compared to its predecessor; Trey Songz manages to keep the listener's attention throughout. Trey Songz worked with several producers on this album such as Troy Taylor, Mario Winans and Bryan-Michael Cox. The album's sound is distinct and adds gravity to the singer's repertoire of work.

 

Passion, Pain & Pleasure receives a PARL

 

Rating:

P…Horrible

PA…Tolerable

PAR…Good

PARL…Kinda Great

PARLÉ…Classic  

 

Trey Songz - Love Me Better

 

 

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Love King - The-Dream album review

Pulse... Toni Braxton album review

The Darkside Vol. 1... Fat Joe album review

 

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