Who would have ever thought a shy girl from Beaufort, South Carolina would be American Idol's Season 12 winner. She's grown a lot since only being able to sing for her parents. Life has changed for Candice Glover. Her Season 12 win is actually her third attempt at auditioning for American Idol. She's proven that she believes in herself. It was nothing short of courage to be able to face many at a third shot on the show to prove that she had what it took to take home the crown, even if she didn't know for sure herself at the time. She's motivated so many to go after what they want and to never give up. WIth the recent release of her debut album, Music Speaks, and her single, "Cried," Glover continues to motivate women everywhere.  Read the full interview to get Candice Glover a little better...


Drew 32, writer, producer, videographer—you name it he has done it. His hands on approach to his brand of music is admirable. From the D to the world, with stops along the way as an opening act for Gym Class Heroes, Kendrick Lamar, and the New Boyz hasn't hurt. His performances at Sundance Film Festival and SXSW Music Conference have done wonders for his buzz, and odds are his production going forward will be just as stellar. Drew32 Recently released The Batch, an ode to his fans, and a teaser for what 2014 and beyond hold.  Judging by the attention his hit single “I Am King,” is getting along with his mantra, 'the more content, the better,' the future is very bright for this Greek-American artist.  Parlé with me as I introduce to you… Drew 32.


I
t has been three years since Ledisi released her last project, Pieces of Me, but the sultry songstress has been touring worldwide and appearing on television screens ever since. Her latest project, The Truth, serves as a natural continuum to her previous works demonstrating the behaviors of a strong, confident woman in love.  


The sequel to the 2009 release, We Are Young Money, Rise of An Empire fashions itself as something new and epic, but hinges on formulaic material that only reaches to live up to its hype. Incorporating the new signee, Euro, into the mix does assist in making the audio journey an earnest effort – if only for a time.


I’ve been a fan of this young woman since her YouTube days as Phatfffat, but nowadays she goes by Dondria Nicole. She started out as a YouTube sensation singing covers songs of artists like Usher, Beyoncé, Rihanna, Brandy and several others. After releasing her debut album with So So Def Records, Dondria became somewhat of a household name. Today, she is working on a new album to reintroduce the world to who she has become as a young woman. Miss Nicole is not only beautiful and ravishing, but home-girl can sing the heavens down!!! It was such a honor meeting and chatting with her. Check out the interview below and catch up on what this talented young lady has been up to.


Songstress and industry veteran, Ashanti is back with her first album since 2008's The Declaration. After the extended delay, the new album, Braveheart is almost surprisingly solid. Almost because it's easy to forget that Ashanti has a catalog full of hit songs and a history of putting out some pretty good music. While Declaration wasn't her best work and the single, "Good Good" left a slightly bad taste for fans and supporters, her return here is precise and well thought out. With a new team and a new label, Written Entertainment, in place, this fresh start is just what she needed to remind listeners of the quality of music she is capable of putting together.


 
 

 

 

Talk That Talk is seductive and sassy, with a touch of piercing rhythms. It is as if Rihanna is content inhabiting a playground of techno beats, up-tempo Caribbean numbers and grinding synths that clatter, growl and snare, leaving a billowing image that is flirtatious and intoxicating. The opener to Talk That Talk, "You Da One," is embossed in an island melody backed with a dubstep beat provided by Dr. Luke, who has produced chart topping songs for Katy Perry and Pink. "We Found Love," drips with electronic house elements in a relaxed atmosphere. While at times, it feels like a Loud leftover due to the repetitive bubblegum jubilation, it has provided Rihanna yet another #1.
The title track features Jay-Z and a masterfully done beat provided by a sample from Notorious B.I.G. and the Stargate audio essence. Possibly “Umbrella” part deux, the song has Rihanna delivering the written words with ease.  She displays a similar feisty tone on "Cockiness (Love It)" a short rap and dancehall styled banger.  “Birthday Cake,” finds Rihanna using double entendres before cutting to the chase with her intentions.
Both "We All Want Love & "Drunk on Love," embody the same magic that Rihanna adds to her lower grooves. The former reaches hippy-esque qualities to the point where the listener can envision Rihanna dancing in fields of love amidst a clichéd message that somehow manages to work among the scorching perception Talk That Talk echoes. The latter, finds her trying to out sing the music provided.
"Farewell," is a fitting finish to an album that presents a brand new Rihanna. Gone is the morbid and dark exhibition presented on Rated R and the euphoria of Loud. What remains is a mischievous, enticing and sultry pop superstar whose adventures lie in a risqué storybook that uses a proven winning formula.
Prime Cuts:  “You Da One,” “Where Have You Been,” & “Talk That Talk”
Talk That Talk receives a PAR
Rating:
P…Horrible
PA…Tolerable
PAR…Good
PARL…Kinda Great
PARLÉ… Classic
Also Check Out:

Talk That Talk is seductive and sassy, with a touch of piercing rhythms. It is as if Rihanna is content inhabiting a playground of techno beats, up-tempo Caribbean numbers and grinding synths that clatter, growl and snare, leaving a billowing image that is flirtatious and intoxicating. The opener to Talk That Talk, "You Da One," is embossed in an island melody backed with a dubstep beat provided by Dr. Luke, who has produced chart topping songs for Katy Perry and Pink. "We Found Love," drips with electronic house elements in a relaxed atmosphere. While at times, it feels like a Loud leftover due to the repetitive bubblegum jubilation, it has provided Rihanna yet another #1.


The title track features Jay-Z and a masterfully done beat provided by a sample from Notorious B.I.G. and the Stargate audio essence. Possibly “Umbrella” part deux, the song has Rihanna delivering the written words with ease.  She displays a similar feisty tone on "Cockiness (Love It)" a short rap and dancehall styled banger.  “Birthday Cake,” finds Rihanna using double entendres before cutting to the chase with her intentions. 


Both "We All Want Love" & "Drunk on Love," embody the same magic that Rihanna adds to her lower grooves. The former reaches hippy-esque qualities to the point where the listener can envision Rihanna dancing in fields of love amidst a clichéd message that somehow manages to work among the scorching perception Talk That Talk echoes. The latter, finds her trying to out sing the music provided.


"Farewell," is a fitting finish to an album that presents a brand new Rihanna. Gone is the morbid and dark exhibition presented on Rated R and the euphoria of Loud. What remains is a mischievous, enticing and sultry pop superstar whose adventures lie in a risqué storybook that uses a proven winning formula. 

 


Prime Cuts:  “You Da One,” “Where Have You Been,” & “Talk That Talk”

 


Talk That Talk receives a PAR

 


Rating:

P…Horrible

PA…Tolerable

PAR…Good

PARL…Kinda Great

PARLÉ… Classic  

 

 

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Ambition... Wale album review

What My Husband Doesn't Know... DVD review

"Braxton Family Values" Returns with NYC Premiere

Eyes On The Throne - Thoughts on Jay & Kanye show

 

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