As soon as he became the first artist to be signed to J. Cole’s label Dreamville, Bas has had big shoes to fill. Born in Paris, France, Bas moved to Queens, New York, at the age of eight. Before Bas was particularly interested in music, older brother, now known as DJ Moma, did everything he could to introduce Bas to various musical styles, including the electronic influences of the European music scene, which, at the time, was quite different from the popular American music of the era.


Sagging pants and fouled mouth children…”N” this, “N” that…
Slow walks approaching the school building
Prep to take the belts off…
“Hurry…hurry” a friend yells out to hide their cell phones
Metal detectors…
“Empty your pockets”
beep…beep…
“Go!”
No ‘Good Mornings’
No smiles—


To be 100% honest with ya’ll, I almost fainted when I walked into the room where songtress, Leela James had been relaxing on the couch. I greeted everyone and introduced myself and like the cool and beautiful person Ms. James was she said, “Hey sweetie, you got to excuse me for laying down we been traveling all day, but you can lay down and relax with me.” Totally blown away by her “down-to-earth” approach, she was every thing I imagined her to be in person.


If you follow Kachelle Kelly on social media you’ll definitely discover her passion for what she does, she’s positive and she is about her BUSINESS. She can coach her clients from a dream to a reality of what they imagined their business to be with consistency and determination. She has even started a $39 a month program for ones who may be a bit financially tight but would love to ask her a question once a month. I follow her on Instagram and it seems as though she’s very well respected in the city of Houston. She has started a Boss Women Pray and Boss Men Pray movement. She not only have the books, but also shirts in which quite a few familiar faces happily wore for a recent photo shoot.

If you or someone you know is in need of guidance for business-you may want to think of Kachelle Kelly. Read the interview below to learn a little more.

Talent is all around us and with each passing year comes a new star in the making, one that is sure to set 2014 a blaze is R&B crooner Anthony Lewis. In February, the 17 year-old L.A. native released his single, “Candy Rain,” a remix of the 90’s classic from R&B group Soul 4 Real. He has since caught the eyes and ears of every major music and is making strides on Billboard's Hot 100 list. With the song in continuous rotation prompting live performances and more work on his forthcoming debut album to be done Anthony is busier than ever, fortunately he had a few moments to spare to talk about his growing career, his inspiration, and the future of his craft.  See what he had to say below.


New Yorkers know, just being here prepares you for everything the world has to offer. For entertainers that is true double time. Washington Heights bred, Dominican actress, Suveria Mota discovered acting was her passion in high school and she continued to pursue her dream through pursuing her degree at Lehman College in the Bronx. After she got her degree she made the move to Hollywood where things really began to take off. Now with a few roles under her belt and some soon to be released projects, Mota is a talent to look forward to. We got a chance to speak with the actress about what finding success is like for a Latina in Hollywood, the importance of education and what's next for her. Discover the next big name below.


 
 

 

 

Talk That Talk is seductive and sassy, with a touch of piercing rhythms. It is as if Rihanna is content inhabiting a playground of techno beats, up-tempo Caribbean numbers and grinding synths that clatter, growl and snare, leaving a billowing image that is flirtatious and intoxicating. The opener to Talk That Talk, "You Da One," is embossed in an island melody backed with a dubstep beat provided by Dr. Luke, who has produced chart topping songs for Katy Perry and Pink. "We Found Love," drips with electronic house elements in a relaxed atmosphere. While at times, it feels like a Loud leftover due to the repetitive bubblegum jubilation, it has provided Rihanna yet another #1.
The title track features Jay-Z and a masterfully done beat provided by a sample from Notorious B.I.G. and the Stargate audio essence. Possibly “Umbrella” part deux, the song has Rihanna delivering the written words with ease.  She displays a similar feisty tone on "Cockiness (Love It)" a short rap and dancehall styled banger.  “Birthday Cake,” finds Rihanna using double entendres before cutting to the chase with her intentions.
Both "We All Want Love & "Drunk on Love," embody the same magic that Rihanna adds to her lower grooves. The former reaches hippy-esque qualities to the point where the listener can envision Rihanna dancing in fields of love amidst a clichéd message that somehow manages to work among the scorching perception Talk That Talk echoes. The latter, finds her trying to out sing the music provided.
"Farewell," is a fitting finish to an album that presents a brand new Rihanna. Gone is the morbid and dark exhibition presented on Rated R and the euphoria of Loud. What remains is a mischievous, enticing and sultry pop superstar whose adventures lie in a risqué storybook that uses a proven winning formula.
Prime Cuts:  “You Da One,” “Where Have You Been,” & “Talk That Talk”
Talk That Talk receives a PAR
Rating:
P…Horrible
PA…Tolerable
PAR…Good
PARL…Kinda Great
PARLÉ… Classic
Also Check Out:

Talk That Talk is seductive and sassy, with a touch of piercing rhythms. It is as if Rihanna is content inhabiting a playground of techno beats, up-tempo Caribbean numbers and grinding synths that clatter, growl and snare, leaving a billowing image that is flirtatious and intoxicating. The opener to Talk That Talk, "You Da One," is embossed in an island melody backed with a dubstep beat provided by Dr. Luke, who has produced chart topping songs for Katy Perry and Pink. "We Found Love," drips with electronic house elements in a relaxed atmosphere. While at times, it feels like a Loud leftover due to the repetitive bubblegum jubilation, it has provided Rihanna yet another #1.


The title track features Jay-Z and a masterfully done beat provided by a sample from Notorious B.I.G. and the Stargate audio essence. Possibly “Umbrella” part deux, the song has Rihanna delivering the written words with ease.  She displays a similar feisty tone on "Cockiness (Love It)" a short rap and dancehall styled banger.  “Birthday Cake,” finds Rihanna using double entendres before cutting to the chase with her intentions. 


Both "We All Want Love" & "Drunk on Love," embody the same magic that Rihanna adds to her lower grooves. The former reaches hippy-esque qualities to the point where the listener can envision Rihanna dancing in fields of love amidst a clichéd message that somehow manages to work among the scorching perception Talk That Talk echoes. The latter, finds her trying to out sing the music provided.


"Farewell," is a fitting finish to an album that presents a brand new Rihanna. Gone is the morbid and dark exhibition presented on Rated R and the euphoria of Loud. What remains is a mischievous, enticing and sultry pop superstar whose adventures lie in a risqué storybook that uses a proven winning formula. 

 


Prime Cuts:  “You Da One,” “Where Have You Been,” & “Talk That Talk”

 


Talk That Talk receives a PAR

 


Rating:

P…Horrible

PA…Tolerable

PAR…Good

PARL…Kinda Great

PARLÉ… Classic  

 

 

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Ambition... Wale album review

What My Husband Doesn't Know... DVD review

"Braxton Family Values" Returns with NYC Premiere

Eyes On The Throne - Thoughts on Jay & Kanye show

 

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