Singer/Songwriter, Destiny ‘Adia’ Andrews was born in St Louis, Missouri but I’d say she hailed from Huntsville, Alabama. She calls herself a mutt when trying to describe exactly where she’s from, as she grew up all over. But “Huntsville is home” she insists. That’s where all her close relatives and her late grandmother – the most important piece to her puzzle—were from. Admittedly, She should probably come with a warning sign, one that reads “slow down, no assumptions just yet!” If you don’t know, Adia is a Gospel singer but not the average.


Following both the somewhat lackluster albums, No Mercy and Trouble Man, T.I. returns with Paperwork, a 15 track project that is essentially the second in a trilogy of albums from the Atlanta emcee - the first being Paper Trail, released in 2008. There are high moments and low points on Paperwork that ultimately allow for T.I. to showcase that he deserves to remain among some of the greats. Paperwork is intricate to the point where there is a sense that there were different personas at play in the studio. Pharrell executive produced the album, and that is a characteristic he has displayed in his previous trips in that role.


A ‘talented triple-threat that no one saw coming’ is the best way to describe new artist, Luke Christopher. With a collection of mixtapes floating around, Christopher has gained a fan base of followers calling themselves #TMRWGANG. He keeps them engaged by releasing a new song every Tuesday on his SoundCloud and #TMRWGANGTUESDAYS has already received over 2 million plays. His latest mixtape TMRW TMRW Pt. 2 can also be found on SoundCloud featuring contributions from Asher Roth, Baily, Shlohmo and Banks to name a few.


The Game has been a mainstay in the world of Hip-Hop since his emergence in 2005. His consistency is commendable. While there may be many varying opinions about the way he goes about handling his business, from his use of name drops to the high number of guests on his albums, it's still undeniable that more often than not Game goes off on a rap and delivers some of the best stuff out. On Blood Moon: Year of the Wolf, Game does something different from his norm, this time aiming to spotlight his own crew Blood Money Entertainment.


Point of No Return
is the sixth album from Keyshia Cole and amidst 11 tracks, she lets loose. It is steeped in expressive candor. The Keyshia featured here is frank, direct and pulling no punches.


Everything that entertains you isn't meant for pure entertainment. Kill The Messenger a new film by director, Michael Cuesta tells the story of journalist Gary Webb. He's a good natured man, a hard worker and a family man. Like any other man he's made some mistakes but his best days are ahead of him. Webb works for a small market daily publication in San Jose called the Mercury News, but he has aspirations of being more and doing more.

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Talk That Talk is seductive and sassy, with a touch of piercing rhythms. It is as if Rihanna is content inhabiting a playground of techno beats, up-tempo Caribbean numbers and grinding synths that clatter, growl and snare, leaving a billowing image that is flirtatious and intoxicating. The opener to Talk That Talk, "You Da One," is embossed in an island melody backed with a dubstep beat provided by Dr. Luke, who has produced chart topping songs for Katy Perry and Pink. "We Found Love," drips with electronic house elements in a relaxed atmosphere. While at times, it feels like a Loud leftover due to the repetitive bubblegum jubilation, it has provided Rihanna yet another #1.
The title track features Jay-Z and a masterfully done beat provided by a sample from Notorious B.I.G. and the Stargate audio essence. Possibly “Umbrella” part deux, the song has Rihanna delivering the written words with ease.  She displays a similar feisty tone on "Cockiness (Love It)" a short rap and dancehall styled banger.  “Birthday Cake,” finds Rihanna using double entendres before cutting to the chase with her intentions.
Both "We All Want Love & "Drunk on Love," embody the same magic that Rihanna adds to her lower grooves. The former reaches hippy-esque qualities to the point where the listener can envision Rihanna dancing in fields of love amidst a clichéd message that somehow manages to work among the scorching perception Talk That Talk echoes. The latter, finds her trying to out sing the music provided.
"Farewell," is a fitting finish to an album that presents a brand new Rihanna. Gone is the morbid and dark exhibition presented on Rated R and the euphoria of Loud. What remains is a mischievous, enticing and sultry pop superstar whose adventures lie in a risqué storybook that uses a proven winning formula.
Prime Cuts:  “You Da One,” “Where Have You Been,” & “Talk That Talk”
Talk That Talk receives a PAR
Rating:
P…Horrible
PA…Tolerable
PAR…Good
PARL…Kinda Great
PARLÉ… Classic
Also Check Out:

Talk That Talk is seductive and sassy, with a touch of piercing rhythms. It is as if Rihanna is content inhabiting a playground of techno beats, up-tempo Caribbean numbers and grinding synths that clatter, growl and snare, leaving a billowing image that is flirtatious and intoxicating. The opener to Talk That Talk, "You Da One," is embossed in an island melody backed with a dubstep beat provided by Dr. Luke, who has produced chart topping songs for Katy Perry and Pink. "We Found Love," drips with electronic house elements in a relaxed atmosphere. While at times, it feels like a Loud leftover due to the repetitive bubblegum jubilation, it has provided Rihanna yet another #1.


The title track features Jay-Z and a masterfully done beat provided by a sample from Notorious B.I.G. and the Stargate audio essence. Possibly “Umbrella” part deux, the song has Rihanna delivering the written words with ease.  She displays a similar feisty tone on "Cockiness (Love It)" a short rap and dancehall styled banger.  “Birthday Cake,” finds Rihanna using double entendres before cutting to the chase with her intentions. 


Both "We All Want Love" & "Drunk on Love," embody the same magic that Rihanna adds to her lower grooves. The former reaches hippy-esque qualities to the point where the listener can envision Rihanna dancing in fields of love amidst a clichéd message that somehow manages to work among the scorching perception Talk That Talk echoes. The latter, finds her trying to out sing the music provided.


"Farewell," is a fitting finish to an album that presents a brand new Rihanna. Gone is the morbid and dark exhibition presented on Rated R and the euphoria of Loud. What remains is a mischievous, enticing and sultry pop superstar whose adventures lie in a risqué storybook that uses a proven winning formula. 

 


Prime Cuts:  “You Da One,” “Where Have You Been,” & “Talk That Talk”

 


Talk That Talk receives a PAR

 


Rating:

P…Horrible

PA…Tolerable

PAR…Good

PARL…Kinda Great

PARLÉ… Classic  

 

 

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What My Husband Doesn't Know... DVD review

"Braxton Family Values" Returns with NYC Premiere

Eyes On The Throne - Thoughts on Jay & Kanye show

 

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